![]() Though many of his other movies explore the theme of violence as well (most notably Taxi Driver, Cape Fear and Shutter Island), this chapter focuses on Scorsese’s gangster movies, which take place within the social worlds of the Italian and Irish mob, primarily in New York City. Interpreting what these films reveal about violence is the primary problem. The real problem of violence is that Scorsese does not take violence lightly after all, Scorsese’s films are about violence. It affects us more, demanding to be noticed and thought about. This is because Scorsese is such a good filmmaker that he is able to make the violence in his films more shocking. ![]() ![]() Yet Scorsese’s films – his gangster films in particular – do seem more violent. In fact, they are much less graphic than typical horror movies (in terms of on-screen gore) and less violent than most superhero action movies (in terms of on-screen violent acts or even the number of deaths). The problem of violence in Scorsese films is not that his movies are more violent or more graphic than other movies.
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